What characterises a state of the art training in sacred music? What key skills should church musicians-to-be acquire in their studies? How can the ideals and aspirations of young musicians liaise with the ever changing demands of a complex professional profile in a productive way?  

Our work at the Tübingen University of Sacred Music revolves around these and similar questions – alongside the obvious endeavour towards excellence in the musical/practical and theological/liturgical fields of study.